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2023 year-end

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Happy Holidays to all. Spread out more this year than often, with Hannukah seeming early and with lunar new year still off in the future.

Visual arts have always been a personal interest, and even as a musician I have always associated images with music. When Lennie Moore brought to his SFCM class a member of the Scary Cow film collaborative in 2016, it gave me an opportunity to connect my musical composition skills to filmmakers. This resulted in my developing opportunities to score and record music for a half dozen films. (Some are viewable online.)

In 2022 I began filming my own story — what I call “Coming Home to Music” — after 50 years in Computer Science. As a teen, I was a pretty good pianist, and when I went to college I had made a choice between studying engineering (and then computer science) or enrolling in the American Conservatory of Music to study piano performance. I chose computers. Then in 2015 I came back to music full time at the San Francisco Conservatory of Music. In 2022 I decided to commit this story to film, and as luck would have it, found three other SFCM alumni who had stories of a similar trajectory — and were really perceptive and willing to tell their stories. The four stories are now woven into one single feature film Play It Again — Coming Home to Music and How It Changed My Life. (online) It’s great how the stories dovetail and how each of my co-stars is able to tell their story in ways that are clear and deeply insightful.

Both film and music businesses are so completely disrupted that it’s a constantly changing landscape. Streamed music pays almost nothing at all (roughly a sixth of a cent per play) and only the megastars make an income on streaming. And mostly the money is in performance, not recording. In film, blockbusters are the big news and tiny independent films pretty much never get seen. So the trick here is to break the mold and find other ways of paying for a film, not just ticket sales. Workin’ on that.

If you’d like a peek behind the scenes at a music recording session, take a look at this 2023 short I produced. Making the Music of Happy Goat (online). We filmed this in 2022 and much of it is included in Play It Again.

Now for a preview of 2024, we will be spending much of our time at Ensō Village in Healdsburg, where a community based on Zen and Quaker values is being formed. Over 200 living units and many interesting people with fascinating stories. Next year’s report will certainly cover a lot of that ground. (Current online sources of information are limited, and I recommend you wait for my future report.) The people are the attraction.

2022 year-end greeting

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What a year! 

From frost on rooftops out our windows (San Francisco – frost?) to the vivid red maple blooming in front of our home, we continue to appreciate life and beauty!

 

Kathryn: I am still leading the Feldenkrais program for adults with severe neuro-motor challenges at Bay Area Ability Now and also co-leading a weekly meditation practice group for Tergar International on Sunday mornings, with my colleague Cristian Lotito—something I’ve done weekly since April 2020, and monthly in person before that. The photo shows me with Cristian and Mingyur Rinpoche, Tergar’s Founding Teacher.

 

Kathryn: This year I began my studies with Upaya Zen Center in a unique 2-year chaplaincy training program that serves not only individuals, but also communities and the world. It is based in caring about the value of Buddhist principles for living, systems perspectives regarding social change, and intentions to nourish healthy community and society. For years my books and professional work have focused on creating healthy organizations for a healthy world: This brings a new community and new approaches.

 

I was drawn to the work of Roshi Joan Halifax (photo left) several years ago, and I am delighted to be able to study with her “in person” on zoom. (You can see my small face on the zoom insert above her head.)

 

My study of the chaplaincy grows out of all my previous work with organizations, leadership, and meditation. To get a sense of what I wish to nourish in the world, enjoy reading my most recent article “How generative mindfulness can contribute to inclusive workplaces”, published in the Humanistic Management Journal last December (read the article). As my co-authors and I wrote, “Humanistic management and mindfulness practices can potentiate one another to foster an inclusive society. By moving beyond a limited instrumental understanding of mindfulness practice to a generative mindfulness that incorporates a recognition of the rich nature of the human mind, awareness of cultural practices, and deeply rooted ethical foundations, managers can create organizational cultures that honor the sacred in every human being.”

 

Jim/Sky: It’s been mostly-sunny days this week on the ski slopes near Lake Tahoe, and we’re happy that we’re both skiing — at least on the fair-weather days. (Temp 36°F day and 18°F night)

Despite a ski injury last January, Kathryn has continued skiing and loves it — as she has for many years. These photos of us were taken yesterday!

 

Jim/Sky: Kathryn also got to visit with her sister Susan Amber Gordon on the East Coast, despite our lessened eagerness to travel since the start of the pandemic.

 

Play It Again

Jim/Sky: In 2022 I started producing my feature-length film Play It Again about “Coming home to music.” I’m personally an extreme example of this. For me the coming back started in 2014, then accelerated to full tilt in 2015-2016 at The San Francisco Conservatory of Music, where I completed a full-time post-graduate year in Technology and Applied Composition. At that time, I had already been thinking about making a film about the experience, but there just wasn’t time to complete the coursework and do a film at the same time. So in February, 2022 I finally started filming. An intermediate full-length cut of the film is completed now (December, 2022) and with the filming of one more scene in January, we will have it all “in the can.”

When I went back to music in 2015 I said that “software had caught up with us” and was finally enabling a new breed of composer and compositional process — with sampled instruments it had become possible to compose and play back in real time at good quality — a new cyclical compositional process much like software development. Well by 2022 it was obvious that iPhone hardware and software were advanced enough that “filming” could be similarly streamlined and available to far more would-be producers. So I became one of those. The film is almost entirely shot on iPhone with wireless sound recording right into the camera as well. Sign up for more film info!

Play It Again filmThe Third Harmony (film) CD

My film will be available in February, 2023, and if you visit the Play It Again web site, you can sign up there for email notification.


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Packet and SFWEM interconnects

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Over the last year (most of 2020), the majority of my radio work has been focused on making my connections between packet radio and SFWEM even more resilient.

SFWEM.NET is the San Francisco Wireless Emergency Net, which is a mesh network that’s being built out by amateur radio operators with the intention of being a communications backup in time of emergency — when phone and data networks may be locally overwhelmed or not functional. Beside that, however, it’s an interesting experiment for amateur radio operators seeking to understand the benefits and limitations of “wi-fi” as a long-distance tool. [Read more…]

I’m Fine

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The third film I’ve scored was premiered on April 2nd, 2021. The film is entitled I’m Fine, and was produced by Kip Pearson and directed by Andrea Devaux.

My first two films were Indulgence (Leo Maselli) and The Third Harmony (Michael Nagler).

For those of you not familiar with how a composer creates music for a film, I thought I’d go thru how Kip and I collaborated to put music to this story.


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Got the Logitech C920/C922 blues?

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photo of blueish tint in logitech C920 camera
 This is the C920 camera’s “automatic” color balance before I corrected it. (In zoom.us setup on Mac OS)

We (the team here) have been struggling with the color on Logitech C920 and C922 webcams recently. We’re preparing for a big international conference in November when the cameras will be in around-the-clock use. Initially each camera had a nice color balance, but after a couple of weeks each of them acquired an “underwater” blueish cast, and things that should have appeared white in the picture turned a spooky underwater blue!

Some of the blueness is due to where we have located our webcams — they’re in rooms with good outdoor light, but no direct sunlight, so the ambient lighting is saturated with blue skylight. But, beyond that, the cameras over-emphasized the blue. They were trying to auto-correct, but slewed way too far blue. Instead of compensating for our blue light, they were over-emphasizing it. Today we solved the problem!

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